September 28 is an official holiday in the state of California – Native American Day. Established in 1998, it is celebrated in our schools and government offices, but mostly ignored everywhere else. Only a few states (South Dakota, Tennessee) have a similar holiday, and there is no Federal recognition.
That’s really sad – we should have a nationally recognized day to celebrate Native Americans.
An award-winning journalist, Taliman received the Richard LaCourse Award from the Native American Journalists Association last year for her groundbreaking investigative series on missing and murdered First Nations women. She continues to highlight violence against women and the racism inherent in violence against Native families. in her articles for ICTMN.
Baja California seems like the perfect place to recreate that Italian sense of wine. Both are peninsulas with rolling hills of heat and fresh ocean breezes, perfect for a multitude of grape varieties. Food is central to the culture, like it is in Italy, with most Mexicans in the area practicing some sort of agriculture, aquaculture, or livestock herding. Finally, both have a bustling tourist industry more than ready to accommodate wine loving visitors.
Mark my words, Baja California is on the rise as a wine destination.
My dear pal took me to Baja’s wine country – the Valle de Guadalupe near Ensenada – to lunch under the pine trees at Drew Deckman’s new seasonal restaurant at the charming Mogor Badan winery…there is no dearth of fine eateries in the Ensenada area.
And all take full advantage of what the region offers including organic produce; regional cheeses in both the farm and European styles; hand-crafted wines that are winning accolades throughout the world, and meats and seafood that are cultivated locally.
“I based everything on that part of the ocean called the beach – the border between common civilization and dreams…I chose the dreams and it’s like living in Wonderland.”
Block10 productions is proud to present David Pecchi, eclectic and talented surfer of the Onde Nostre Crew, shot in Italy, California, Indonesia.
Ritratti Di Surf is a series of short videos about surfers, shapers, artists and other characters somehow connected to Onde Nostre and the Italian surf culture.
“Us Italians we don’t have waves but we have a heart, big like this, more. Even bigger than the brain. We have passion. We suffer, we wait for waves for months, and after a month of flat spell when we get a 2 foot wind swell. If you really like surfing, you paddle out and give it all you got.”
Directed by Luca Merli
Edited by Giovanni “Sbrokked” Barberis and Luca Merli
Photography by Luca Merli, Matteo Ferrari and Giovanni “Sbrokked” Barberis.
Additional Photography by Alessandro Ponzanelli, Daniele Testi
Lettering by Luca Barcellona
Music Consultant & Marketing by Gabriele “Gabro” Minelli
Songs: VOICES OF JAMAICA A Mixtape by Blundetto, Joya Landis (Blundedit) ‘When The Lights Are Low’, Ken Boothe ‘Mr Wind’, Gregory Isaacs ‘Reform Institute’, Blundetto dubplate with Don Camilo ‘Rocky Road’.
Starring: David Pecchi, Alessandro Ponzanelli, Oliver Parker, Ricky Brotini.
If you’re looking for a quality list among all those top 10s, then this is the one. It occurs only once a decade and queries nearly 900 of the world’s top critics. The numbers are collated into the “Top 50 Greatest Films of All Time”.
The results are in:
And the loser is – Citizen Kane. After 50 years at the top of the Sight & Sound poll, Orson Welles’s debut film has been convincingly ousted by Alfred Hitchcock’s 45th feature Vertigo.
…Hitchcock, who only entered the top ten in 1982 (two years after his death), has risen steadily in esteem over the course of 30 years, with Vertigo climbing from seventh place, to fourth in 1992, second in 2002 and now first, to make him the Old Master.
I heard about this list through the Slate Culture Gabfest where it was remarked, “these movies are part of a great film education”.
As snapshots through time, Olympic posters provide a fascinating record of our world, a lens through which we can explore links between sports and art, politics and place, commerce and culture. A Century of Olympic Posters offers an intensely visual representation of the modern Games, and shows the evolution of the Olympic Games poster as well, from the first official poster for Stockholm in 1912 right up to the present.
Since its inception 42 years ago, Comic-Con International has been a celebration of fanboy culture. When geek became the new cool, it also worked as a marketing platform for Hollywood and video game makers. Now, it’s the place where the television industry comes to build buzz for new shows and reward the audiences of established ones.
More than 80 television series courted the crowds at Comic-Con last year with premieres, panels and promotional events. This year in San Diego, the numbers are just as high – and the visibility even greater.
“It’s become a tentpole for us,” says Richard Licata, executive vice president, communications, for NBC Entertainment and Universal Television, echoing the sentiments of many network and studio marketing and publicity heads. “It’s the Super Bowl of response.”
Timing has something to do with it; the dates of Comic-Con make it a perfect place to preview fall shows. Corralling the talent is also a breeze – television has no Sundance or Cannes, making Comic-Con one of the few places on the planet where a television writer is treated like a rock star by screaming thousands.
Caped crusaders are out and proud this year at Comic-Con International. Even Superman and Batman at the Prism Comics booth wear snug Underoos, capes and chef’s aprons — but not much else — as they entertain passersby.
“It feels revolutionary,” says Scott Covert, decked out as Batman’s sidekick, Robin, at one of the convention’s many panels about gay culture and the comic book world. He flips the lip of his cape as he adds, “There’s more tolerance this year.”
Gay Geekdom celebrated last month when Marvel’s mutant superhero, Northstar, married his longtime partner, Kyle, in “Astonishing X-Men No. 51.” The day the issue was released, comic book shops nationwide, including L.A.’s Meltdown Comics, hosted commitment ceremonies, vow renewals or parties; and there was a legal same-sex wedding at Midtown Comics in Manhattan.
Also in June, DC Comics resurrected the original Golden Age Green Lantern, featuring Alan Scott as a gay man. Even Archie Comics’ All-American Riverdale was the site of a biracial, military-themed, same-sex wedding earlier this year.
Pixar’s “Toy Story 3” is the highest-grossing movie of all time in Mexico, where the animated adventure tale collected $59 million at the box office in 2010.
The follow-up from “Toy Story 3” director Lee Unkrich and producer Darla K. Anderson is also likely to have strong appeal with Mexican audiences — and to boast more authentically Latino characters than a Spanish-speaking Buzz Lightyear doll.
The duo’s next movie is a still-untitled project about Día de los Muertos, the Mexican holiday of the dead, which Disney and Pixar first announced at CinemaCon last month.
On the Day of the Dead, which has its roots in indigenous Aztec culture, families in Mexico and many Latin American countries pay tribute to deceased loved ones by creating graveside altars with treats like candy and bottles of Coca-Cola, and donning elaborate skull masks and costumes for processionals.
“This is a very different view of death than the American one,” said Unkrich. “It’s not spooky. It’s celebratory.”
When it comes to exports, America brings movies to the world. So which ones are having the biggest impact?
“The Avengers” is likely to stand with”Avatar,””Titanic”and iterations of “Harry Potter,” “Star Wars,” “Pirates of the Caribbean,” “Lord of the Rings,””Toy Story” and”Transformers,” as one of a new breed of globally dominant film franchises.
These are the billion dollar movies with the highest worldwide gross. Comics, sci-fi, magic, history, pirates, animation, and fantasy.
Not bad compared to some elements of our culture we could be sending overseas. Of course, the main reason these are successful is largely due to their extensive action scenes which easily cross-over the language barrier
In Dun Laoghaire the “Festival of World Culture” took place from 21. to 24. of August 2008. Edgar Müller has followed the invitation and continued his series of large-sized 3D Street Art there. For this year’s festival Müller transformed a huge slice of the East Pier into a dramatic ice age scene. This project was supported by the Goethe Institution Germany.