Laura June picked up on Siri’s interesting thoughts on certain movies. She loves those with robots and artificial intelligence…
Every year the Tate Gallery in London awards the Turner Prize to Britain’s weirdest artist. The award is £25,000 and there are four finalists exhibiting their work:
The winner is selected on December 3, 2012.
Photos of their work and a video of the exhibitions with Adrian Searle.
A beautiful short film by John Lynch set to the music of Sam Bauer – and the combination shines.
From the filmmaker:
I was so involved in my DSLR work, I had the impulse to look at some 16mm footage. To see what I used to shoot on my trusty old vintage 16mm Bolex.
It was refreshing to see moments in footage presented exactly the way they were filmed. No effects were necessary for the texture and feel. A quality that celluloid film will always have over digital.
I met Sam Bauer a few years ago on a project. We became friends and he expressed interest in doing a cut and composing a score to my cinematography. I gave him a series of out-takes from my 2003 South Africa Trip that became a part in “Change the Subject” (released in 2004).
Sam was the editor of Donnie Darko so he possesses natural affinity for sound design and score. This is Sam’s interpretation of the footage.
It was is refreshing to see this after so many years.
I’m a big fan of the crew at Misfit Pictures and the last movie they made – Manufacturing Stoke. It opened my eyes to the DIY community in surfing and inspired me to get out in the ocean, and I bet it will do the same for you.
There next project is just getting started - called What the Sea Gives Me - and you have the chance to be a part of it. There is a Kickstarter campaign to help fund the movie – and get awesome goodies – but first more about the film:
- It will be a feature-length documentary comprised of intimate and candid interviews with some of the ocean’s most extraordinary ambassadors.
- We will give you an honest and personal look through the eyes of those who thrive under the most extreme water conditions, those ensuring the proper care of the oceans for future generations and those who simply derive a sense of pure joy from the sea.
- The goal is to raise ocean awareness on a global level while reminding the viewer how closely we are all connected to the sea; and, to introduce you to a unique group of people we find absolutely captivating.
It looks to be an amazing movie and I hope you become a part of it.
Donate $5 or $25 or $100 and join the Kickstarter campaign:
I can’t imagine a better way to introduce the movie, Sneakers:
It’s hard for me to choose a favorite Sneakers character—there so many great ones. Even the movie’s secondary players are rendered in just enough detail to give them dimension: I love the pretentiousness of Janek, the mathematician who builds the decryption device; the unctuousness (want a cappuccino?) of Dick Gordon, the mustachioed Cosmo crony; and the boorishness of Dr. Werner Brandes, played to the hilt by the always excellent Stephen Tobolowsky.
But even that does not go far enough. Robert Redford plays his role superbly, rivaling and surpassing George Clooney in Oceans Eleven. Then there is the blind man who solves puzzles, River Phoenix as the shy computer genius, Sidney Poitier as a former-CIA agent, and who can forget Dan Aykroyd’s conspiracy theories?
If this interests you a little, if you like Oceans Eleven and caper films, or delight in well written, directed, and acted films then I demand you go see this movie . You won’t be disappointed. If you are, come back and yell at me, I’m that confident of success.
Sneakers is a true delight and you will be an admirer within the first quietly suspenseful minutes.
And if you’re obsession goes a bit deeper, here is Slate’s compulsive coverage of the movie’s 20th anniversary:
And, listen them discuss it in the Gabfest (the 2nd topic).
Peter Jackson’s behind-the-scenes extras are legendary and this new iPhone, iPad app for The Hobbit should be fun:
View animated character portraits, travel through an interactive map of Middle-earth, watch Peter Jackson’s production videos, and explore the stunning narrative imagery of “The Scroll” artwork to immerse yourself in the world of Hobbits, Dwarves, Elves, Orcs, deadly Wargs, giant Spiders and fearsome Dragons.
I’m excited to get my geek on! Here is the link to download - http://bit.ly/HobbitMoviesApp
This Wednesday, the last of the movie nights at the California Surf Museum ends with “an inside look at Korduroy.TV”. Doors open at 6:15pm and the show starts at 7pm.
More details via Surfline:
The California Surf Museum is proud to highlight surf film-making in its non-traditional approach. Our final Big Wednesday film night will feature two 20 minute segments of the latest and greatest Korduroy.TV clips, Q&A with the filmmakers and staff, and interesting props and cameras from the Korduroy crew. Learn about their recent Kick-starter campaign, their company ethos, and how they are pushing surf content in a new direction.
With the advent of iPhones, cheap HD cameras, and the GoPro, a whole legion of film-makers have entered the scene. Combine their work with the long-established tradition of independent film-making in the surf world and you have a new golden age of the surf film.
Korduroy.TV is at the epicenter of this movement and growing fast. This should be the highlight of the Big Wednesday screening series.
Tickets are still available for $10 and enjoy the beautiful museum too!
An Inside Look at Korduroy.TV
Wednesday, August 22, 2012
Doors open, 6:15PM – Show at 7PM
CA Surf Museum – 312 Pier View Way, Oceanside, CA 92054
Keith Malloy’s debut film, Come Hell or High Water, shot primarily on 16mm focuses on the simplicity and beauty of bodysurfing. “It’s about taking a breath, and kicking your feet, in the big blue sea.” – Patagonia
The film explores the history and progression of the sport of bodysurfing and the pureness that comes from riding a wave. Shot primary in 16mm, the film takes a unique look at the culture, beauty and simplicity of the sport, capturing the stories and locations of those who belong to this community.
Winning awards in best cinematography, and best film at both The London Surf Film Fest and The Surfer Poll Awards,
Shot on location at The Wedge, Point Panic, Piha Beach, Las Escolleras, The Pipeline, Waimea Bay, Makapuu, Sandy Beach, Sandspit, Cloudbreak, Yellowstone, Mentawais, Kamakura, Teahupoo and Nantucket.
Features: Mark Cunningham , Mike Stewart, Chris Kalima, Durdam Rocherolle, Patrice Chanzy, Belinda Baggs, Crystal Thornburg-Homcy, and Dan Malloy. – Patagonia Australia
It turns out Jason Bourne didn’t really have amnesia. That would require a hit on the head or something similar. He would then lose all of his past memories and kind up wake up clueless, maybe even unable to make new memories.
No, Jason Bourne had selective amnesia where he was able to forget all the bad things in his life, but remember how to speak several languages, fight 16 bad guys at once, and generally act like a superhero. This is called ‘dissociative amnesia’ which usually occurs after a traumatic event.
So, it is a form of amnesia just not one that requires you to be bonked on the head. It’s sort of the brains way of dealing with something to hard to handle. You forget that incident but remember pretty much everything else and function normally.
It is the perfect writer’s device. Start your character with nothing but an awesome set of skills and bad guys to foil…fill in the personality later.
More on this from an engaging post on neuroscience, The Weird History of Amnesia:
The major fascination with amnesia is that it’s so specific. When an amnesiac wakes in a hospital, they may not know who they are or where they are, but they do know that they are in a hospital. They know what hospitals are and what they look like. They retain the ability to talk, to count, to recognize certain aspects of the world they live in, while blanking out personal memories entirely.