It is only at the end of a shoot that you finally get the chance to sit down and have a look at the film you have made. Recently Fran, Phil and I did just this when we watched for the first time an early cut of the first movie – and a large chunk of the second. We were really pleased with the way the story was coming together, in particular, the strength of the characters and the cast who have brought them to life. All of which gave rise to a simple question: do we take this chance to tell more of the tale? And the answer from our perspective as the filmmakers, and as fans, was an unreserved ‘yes.’
We know how much of the story of Bilbo Baggins, the Wizard Gandalf, the Dwarves of Erebor, the rise of the Necromancer, and the Battle of Dol Guldur will remain untold if we do not take this chance. The richness of the story of The Hobbit, as well as some of the related material in the appendices of The Lord of the Rings, allows us to tell the full story of the adventures of Bilbo Baggins and the part he played in the sometimes dangerous, but at all times exciting, history of Middle-earth.
So, without further ado and on behalf of New Line Cinema, Warner Bros. Pictures, Metro-Goldwyn-Mayer, Wingnut Films, and the entire cast and crew of “The Hobbit” films, I’d like to announce that two films will become three.
It has been an unexpected journey indeed, and in the words of Professor Tolkien himself, “a tale that grew in the telling.”
Brilliant. It was very, very well done. This was about Great Britain; it didn’t pretend it was trying to have global appeal. Because Great Britain has self-confidence, it doesn’t need a monumental Olympics. But for China that was the only imaginable kind of international event. Beijing’s Olympics were very grand – they were trying to throw a party for the world, but the hosts didn’t enjoy it. The government didn’t care about people’s feelings because it was trying to create an image.
In London, they really turned the ceremony into a party – they are proud of themselves and respect where they come from, from the industrial revolution to now. I never saw an event before that had such a density of information about events and stories and literature and music; about folktales and movies.
At the beginning it dealt with historical events – about the land and machinery and women’s rights – epically and poetically. The director really did a superb job in moving between those periods of history and today, and between reality and the movies. The section on the welfare state showed an achievement to be truly proud of. It clearly told you what the nation is about: children, nurses and a dream. A nation that has no music and no fairytales is a tragedy.
The NASA Ames Research Center is known for establishing innovative partnerships and Pete Worden, the former Air Force general who serves as the Center’s director, is known as a maverick. Still, the latest joint venture to come to light has caught even some longtime NASA observers by surprise.
Under supervision from NASA Ames, inmates working in the machine shop at California’s San Quentin State Prison are building Poly Picosatellite Orbital Deployers (PPODs), the standard mechanism used to mount tiny satellites called cubesats on a variety of launch vehicles and then, at the appropriate time, fling them into orbit.
Worden got the idea for the partnership with San Quentinwhile he was at a party, talking to the spouse of a NASA employee who happened to work as a guard on the prison’s death row. When the guard mentioned the prison’s critical need to establish innovative education and training programs, Worden, a former University of Arizona professor, said, “How about building small satellites?”
If Superman and Batman duked it out, who would win? The question put Man of Steel director Zack Snyder in a tough spot, since The Dark Knight Rises auteur Christopher Nolan is the guy who hired him to make the new Superman movie.
Snyder and new Superman actor Henry Cavill showed off new Man of Steel footage Saturday that operates on the premise that “this is the first Superman movie,” Snyder said. “We respect the canon and we knew the comic book exists; the movies are their own thing. When we started, we had to act as if no film had been made. We approached it in our head as if we’re making a Superman movie for the first time.”
The clip teased an earnest origins story rooted in the heartland, where young Clark Kent grows up on an American-as-apple-pie farm and displays heroic powers as a child that makes him feel like an outcast. Later, the classic red cape waves heroically in the breeze and Superman soars into the heavens per standard iconography, but there’s also contemporary inflections when Superman mixes it up with military troops that look like they could have been airlifted straight out of Iraq or Afghanistan.
“A lot of times in the past, Superman has been this big blue Boy Scout up on a throne that nobody can really touch.”
Anderson starred in and directed an American Express “My Life, My Card” commercial, which chronicled the “filming” of an action movie starring Jason Schwartzman. Anderson acts as if he is being interviewed by someone from American Express for the ad, while walking around completing tasks on set, a scene paying homage to the movie “Day for Night” by Francois Truffaut. It was aired on television and in movie theaters in both a short and extended version, during and shortly after the theatrical 2004 release of “The Life Aquatic: with Steve Zissou”.
Touring internationally since 2008, Play Me, I’m Yours is artwork by British artist Luke Jerram. For three weeks beginning April 12, Los Angeles Chamber Orchestra brings Play Me, I’m Yours to Los Angeles.
Thirty pianos, designed and decorated by local artists and community organizations, are featured across Los Angeles County and are available for everyone to play, in celebration of acclaimed conductor and pianist Jeffrey Kahane’s 15th anniversary as LACO music director.
PDF poster, that includes a map of the piano locations.
There is also a FREE pop-up tribute under the lights of Hollywood on Thursday, April 26th at 8:45PM.
A one night only concert around the piano located outside of the Egyptian Theatre in Hollywood. Kicking off the final week of the pianos’ LA visit, the concert will feature stripped down, unplugged performances by over a dozen local artists. Each artist will perform one song – a cover of their choosing that means “Los Angeles” to them.
The piano tour also includes a website for the public to upload photos, videos, and post comments. Here are a few of them:
In our inaugural film, we visit the Breuckelen Distilling Company, the first gin distiller in Brooklyn since prohibition. Founder Brad Estabrooke talks about starting from nothing and the imperfect process of perfecting a craft.
“It was challenging to get people to take me seriously. ‘Hey, I just got laid-off from my job and I have a little bit of money. I want to start a distillery.”
DIRECTED AND PRODUCED BY – Keith “keef” Ehrlich
DIRECTOR OF PHOTOGRAPHY – Joshua Kraszewski
EDITOR – Matt Shapiro
TITLE DESIGN – Mandy Brown
MUSIC – Roman Zeitlin
SOUND RECORDIST – Robert Albrecht
RE-RECORDING MIXER – Nicholas Montgomery
SPECIAL THANK – Brad Estabrooke, Breuckelen Distilling Co.
Made by Hand – films to promote that which is made locally, sustainably, and with a love for craft.