Electric vehicle pioneer Chip Yates is upping the ante in the world of electric airplanes. Today, the world-record holder for electric motorcycles announced plans for an all-electric recreation of Charles Lindbergh’s famous trans-Atlantic flight in 1927. And Yates isn’t content with just retracing the path across the Atlantic. He’s betting that like Lindbergh’s, his airplane will fly non-stop to Paris. Yates plans on flying at least as fast as Lindbergh’s Spirit of St. Louis, and for added challenge and recreation authenticity, he’ll fly relatively low to avoid getting an extra push from the jet stream.
Yates is currently preparing an existing airplane to serve as a test bed for his electrical propulsion system. The airplane is a modified Long-EZ, an efficient design from the desk of Burt Rutan. The first flight of the electric test bed is expected in July. And because it’s a Chip Yates project, he plans to set speed and altitude records with the airplane while testing.
“You could fly this route today in an unmanned solar craft at 80,000 feet being blown over there by the Jetstream, or in something incredibly slow, or in a balloon,” Yates said in a press release, “but that doesn’t get our society any closer to realizing long-range, legitimate payload, electric flight capabilities that everybody can actually benefit from.”
The MFA Writers Workshop in Paris constitutes an intimate creative apprenticeship that extends beyond traditional classroom walls.
Over two years, students and faculty convene regularly in Paris for five intensive ten-day residency periods (held biannually in January and July). While in residency in Paris, students participate in a vibrant community engaged in all aspects of the literary arts, including workshops, craft talks, lectures, individual conferences and manuscript consultations, as well as a diverse series of readings, special events and professional development panels. The city of Paris itself—with its storied literary history and rich cultural attractions—provides an ideal opportunity for students to learn the art and craft of writing, immerse themselves in the creative process, and live the writer’s life.
During the intervals between residencies, students pursue focused courses of study, completing reading and writing assignments under the close supervision of individual faculty members. These ongoing dialogues with faculty are tailored to specific student interests and needs; students are mentored by a different professor each term and work closely with four different writers during the two-year program.
Unlike the traditional MFA, the low-residency program offers both freedom and rigor, and provides a productive and inspiring balance between the intense and stimulating community of each residency and the sustained solitary work completed in the intervals between. Students are expected to complete substantial writing and reading assignments each term, regularly submitting packets of work in exchange for detailed feedback and critique. Graduating students leave the program with four new literary mentors and a portfolio of letters written by acclaimed writers in response to their work.
Tuition (per year): $23,000
Housing: up to the individual – “accommodations in Paris are available in a variety of different neighborhoods, configurations and price points. ”
If you’re a fan of W hotels then the new W Paris Opéra is going to delight you.
Among the many artists brought in to remodel the 1870s Haussmann era building was French artist Zevs, known for his style of “exploring not what is seen, but what is left to the imagination.”
For the Suite 112 installation, Zevs worked with invisible ink that he created in a laboratory in New York City, mimicking the special red pigment used by police at crime scenes. “This red reminds you of the blood of a crime scene, but it’s also the most visible color, so I like the extreme aspect between the invisibility of the ink and the extreme visibility of the color,” he says.
We caught up with the artist at the opening night party, where a man dressed as a CSI expert shone a UV light slowly over the walls to reveal patterned Louis Vuitton wallpaper with Zevs’ signature dripping logos. “With the idea to place logos into a crime scene, I think simply the idea is to continue to investigate the territory of this fashion victim project I did last year,” he says, referring to a Sao Paolo Fashion Week event in which a naked model was “murdered” by a Louis Vuitton logo and Zevs outlined her body on the street in chalk.