In “Alien,” the most recent TV spot from Audi, viewers are transported into the world of a child who misunderstands her dad’s looks, actions and most notably all of the technological innovations inside the Audi A6 as proof that he is a space alien.
Why are all these lifelong surfers trading in their boards for swim fins? Board builder and alternative surf craft artisan Jon Wegener had this to say:
“As surfing becomes more complicated, futuristic and radical, there’s a backlash of people who just want to go and have fun. You want to find something simple, and it’s just easy to go and have fun with a handplane. We don’t have Pipeline and waves like that. We have mediocre beachbreaks, and this stuff is really fun in waves like that. You don’t need a lot … you get your best tube view on a head high wave when you’re bodysurfing, so it gives you some exhilaration in our waves.”
Ed Lewis of Enjoy Handplanes added, “We all grew up going to the beach, jumping in the water and playing around. For me, getting back into bodysurfing brings me back to being a kid, and you just kind of need that.”
keep reading – Shawn Parkin’s full article on ESPN.com
// Photo by Shawn Parkin
Yayoi Kusama’s interactive Obliteration Room begins as an entirely white space, furnished as a monochrome living room, which people are then invited to ‘obliterate’ with multi-coloured stickers.
After a few weeks the room is transformed from a blank canvas into an explosion of colour, with thousands of spots stuck over every available surface.
TateShots have produced this timelapse video of the first few weeks of its presentation at Tate Modern. It was conceived as a project for children, and was first staged at the Queensland Art Gallery in 2002. The Obliteration Room at Tate Modern is free, and is open to the public until 18 March 2012.
Thx to Guy Kawasaki