Geek Art is an amazing website with beautiful art, design, and illustrations. Here are a few of them:
**click each link for several more photos
*Enjoy handplanes set themselves apart in the bodysurfing industry by turning their creations into one-of-a-kind art. It is amazing, the creativity and beauty they put into these little planes, with everything from DIY craft to pure artist illustrations, simple coloring and classic lines.
Of course, one has to mention that all of these handplanes are made from recycled and reused material. They use old, trashed surfboards and environmentally responsible resin for glassing. Definitely a part of the Zero Waste mantra.
**All these photos, and more, can be found on the *Enjoy Facebook Photos page.
Of all the instances in which graphic communication is necessary to transcend language barriers, the Olympic Games are, if not the most important, probably the most visible. We take the little icons of swimmers and sprinters as a given aspect of Olympic design, but the pictograms were a mid-20th Century invention—first employed, in fact, the last time London hosted the games, in 1948 (some pictographic gestures were made at the 1936 Berlin games, though their mark on international memory has been permitted to fade because of their association with Third Reich ideology).
The 1948 London pictograms were not a system of communication so much as a series of illustrations depicting each of the competitive sports, as well as the arts competition, which existed from 1912 to 1952 and included architecture, literature, music, painting and sculpture. In 1964, the Tokyo games took pictogram design to the next level by creating a complete system of typography, colors and symbols that would be applied across Olympic communications platforms.
In a paper on the history of Olympic design and national history, Jilly Traganou, an associate professor at The New School, writes:
Since Japan had not adopted the principles of the International Traﬃc Signs, introduced at the United Nations Geneva conference in 1949 and accepted by most European countries, the Olympics were regarded by graphic designers as an opportunity to establish a more uniﬁed and internationally legible symbolic language across the country. It was along these lines, searching for universally understood visual languages, that pictograms (ekotoba, in Japanese, a word used prior to the design of pictograms) were for the ﬁrst time designed for the Olympic Games, embodying at the same time [founder of the International Olympic Committee] Baron deCoubertinʼs aspirations of universalism.
Keep reading: Smithsonian - The History of the Olympic Pictograms: How Designers Hurdled the Language Barrier
A ring once owned by author Jane Austen will be auctioned by Sotheby’s later this month. Austen, the author of the much-loved novels “Pride and Prejudice,” “Sense and Sensibility” and “Emma,” never married or had children, but the ring has remained in the possession of her family since her death in 1817. Scholars had been unaware of its existence, and it is expected to sell at auction for $31,000 to $46,000.
The ring is made of gold with a cabachon blue stone of natural turquoise. It is, as Sotheby’s auction house notes, in a simple style Austen wrote of sympathetically in her work. In “Mansfield Park,” Fanny Price is given a gold chain by her cousin Edmund, who tells her, “I consulted the simplicity of your taste.”
The ring will be offered at Sotheby’s English Literature, History, Children’s Books and Illustrations auction on July 10.
When Poe’s 1908 collection of short stories, Tales of Mystery and Imagination, was reprinted in 1919, a copy of the “deluxe” edition would cost you 5 guineas (in today’s money, that’s about 300 USA Fun Tickets).
The book was printed on handmade paper, bound in vellum, and lettered in gold. But its cost was mainly due to new illustrations: 24 full-page drawings by young Irish illustrator Harry Clarke, whose ink illustrations brought Poe’s characters to life with mesmerizing detail. Each copy was signed by Clarke, and according to rare book sellers, the edition topped Christmas lists in 1919.
These drawings invite dissection by the reader…
Doodles are the fun changes made to the Google logo to celebrate holidays, anniversaries, and the lives of famous artists, pioneers, and scientists.
How did the idea for doodles originate?
In 1998, before the company was even incorporated, the concept of the doodle was born when Google founders Larry and Sergey played with the corporate logo to indicate their attendance at the Burning Man festival in the Nevada desert.
Two years later in 2000, Larry and Sergey asked current webmaster Dennis Hwang, an intern at the time, to produce a doodle for Bastille Day. It was so well received that Dennis was appointed Google’s chief doodler and doodles started showing up more and more regularly on the Google homepage.
Who designs the doodles?
There is a team of illustrators (we call them doodlers) and engineers that are behind each and every doodle you see.