A ring once owned by author Jane Austen will be auctioned by Sotheby’s later this month. Austen, the author of the much-loved novels “Pride and Prejudice,” “Sense and Sensibility” and “Emma,” never married or had children, but the ring has remained in the possession of her family since her death in 1817. Scholars had been unaware of its existence, and it is expected to sell at auction for $31,000 to $46,000.
The ring is made of gold with a cabachon blue stone of natural turquoise. It is, as Sotheby’s auction house notes, in a simple style Austen wrote of sympathetically in her work. In “Mansfield Park,” Fanny Price is given a gold chain by her cousin Edmund, who tells her, “I consulted the simplicity of your taste.”
The ring will be offered at Sotheby’s English Literature, History, Children’s Books and Illustrations auction on July 10.
Here is a new exhibit at the Los Angeles County Museum of Art:
Children of the Plumed Serpent: the Legacy of Quetzalcoatl
You may remember the name Quetzalcoatl as the so-called white-bearded God in Atzec lore. Which Hernán Cortés was supposed to represent and then use to his advantage when he conquered the greatest empire of the Americas.
That understanding is in some dispute but what is not are the enemies of the Aztecs. The Nahua, Mixtec, and Zapotec kingdoms were resisting the Aztecs when the Spaniards arrived. They quickly allied with Spain and established a thriving culture, language, and trade that survives to this day.
These cultures have a strong history and a powerful modern presence in Mexico and the United States. This exhibit presents artifacts from their ancient and colonial history. A fascinating look at Native Americans who somewhat escaped the ravages of colonialism.
The exhibition examines the art and material objects of late pre-Columbian and early colonial societies across Mexico to explore Quetzalcoatl’s role as founder and benefactor of the Nahua-, Mixtec-, and Zapotec-dominated kingdoms of southern Mexico. These socially and culturally complex communities successfully resisted both Aztec and Spanish subjugation, flourishing during an era of unprecedented international entrepreneurship and cultural innovation. On view are painted manuscripts (codices), polychrome ceramics, textiles, and exquisite works of gold, turquoise, and shell that reflect the achievements of the Children of the Plumed Serpent.
Learn more about the exhibit – LACMA: Children of the Plumed Serpent