Wayne Lynch is a surfing legend, blazing individualistic pathways in both the performance and the lifestyle. Ascending during a time of great change and experimentation, Wayne took up the mantle personally, redefining what a surfboard should look like and how it should be ridden. Much of this innovation done outside of surfing’s athletic or institutional complexes.
Today, Wayne’s life is almost as it was 40 years ago. He still shapes surfboards, still lives simply by the sea. Were it not for his recent heart attack, both the observer and Wayne himself, could be forgiven for thinking things had stayed the same, despite how they change. But serious jeopardy to anyone’s health, our surfing heroes included, can have a way of radically altering everything underneath the surface, appearances be damned. A rebirth into the same skin.
In this portrait, filmmaker Cyrus Sutton provides a window into Lynch’s new life. With a nod to Jack McCoy’s Tubular Swells, Another Day in the Life, is crafted with ultra-fine cinematography and a spare and modernist feel. The viewer is transported back to the Wayne Lynch they grew up idolizing, while making current those admirations and anchoring them in the reality of human mortality.
– Scott Hulet, The Surfer’s Journal
Paul McCartney recruited award-winning surf filmmaker Jack McCoy to create a music video for his previously unreleased track “Blue Sway.” Written nearly 20 years ago, McCartney’s never-before released song, “Blue Sway,” is available for the first time…
Jack McCoy has been capturing the surfing vision in a truly unique way. Using a high powered underwater jet ski, the filmmaker found that he was able to travel behind a wave, creating underwater images that have never been seen before.
Over the past couple of years, McCoy set out to capture footage for his surf film, A Deeper Shade of Blue. During the editing process, McCoy put one of his surfing sequences to a song off McCartney’s The Fireman album. A mutual friend, Chris Thomas, saw the footage while visiting McCoy in Australia, and when he returned to the UK he gave McCartney a copy of the sequence.
“Paul was pretty stoked with what I’d created. He immediately thought my images might be suitable to go with his unreleased song “Blue Sway.” said McCoy.
McCoy spent the next six weeks creating the music video, while also working full days on making A Deeper Shade of Blue. McCoy compiled and edited footage that he filmed off Tahiti’s Teahupoo reef to create what became the “Blue Sway” video.
“When I saw Jack McCoy’s underwater surfing footage put to the soundtrack of “Blue Sway” I was blown away,” said McCartney.