A Guide to DC’s Environmental Film Festival

Kieran Timberlake: The Loblolly House

I love movies. The only thing better than movies is a film festival full of them. In the last few years I’ve become a regular film festival attendee (see my Sundance Festival Guide).

It was with some surprise then to learn that DC has its very own film festival. A major event that is possibly the best of its kind in the world, the Environmental Film Festival.

It runs from March 15-27 and presents 150 films at 60 venues, with an expected attendance of 26,000 filmgoers.

What makes any festival interesting is the sense of discovery where you find yourself watching a movie you would never otherwise see. And, that film will most likely never again be in your local theater or even on Netflix. They are works of art that while good enough to be selected at film festivals, will never make it into the studio circuit of big budgets, posters, and red carpets.

Being in DC is uniquely special as well since the city produces a huge amount of documentaries. I once heard a friend at the DC Film Institute joke that we are not Hollywood but Docu-wood.

The subject of this year’s festival is Energy, but I noticed several other topics just as interesting: the chesapeake bay, architecture, lectures by professors, nuclear waste, short films, and adventures in cold places.

Where Whales Sing

After looking through the list of films I quickly realized that I want to see them all. With over 60 movies making the first cut as “must-sees”. My festival instincts kicked in as I reminded myself that every movie was chosen because it is worth seeing.

The wise option then is to choose my absolute favorites:

The next step is to plan out my 12 day schedule. This process helped me a bit to narrow down my schedule to just 21 movies. Leaving room for a day job and food but little else.

Here is the full list (with links). I hope a few of these tickle your fancy and you end up attending one or two. Leave a comment about your experiences or if you need someone to go with (because I sure do!).

Vincent Scully: An Art Historian Among Architects

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Mar 15

Wasteland and Wilderness: Lecture by Peter L. Galison – 5:30pm

The Polar Explorer – 8pm

Mar 16

Mission Blue – 7:30pm

Oil Rocks – City Above The Sea – 7pm

Mar 17

Force of Nature: The David Suzuki Movie – 7pm

Mar 18

El Muro – 6:30pm

Mar 19

Into Eternity – 1pm

Mar 20

Kieran Timberlake: Loblolly House – 1pm

Countdown To Zero – 6:30pm

Mar 21

World Water Day: Global Water and Population Films and Panels – 6pm

Vincent Scully: An Art Historian Among Architects – 7pm

Mar 22

Where Whales Sing – 10:30am

An Evening With Chris Palmer – 7pm

Mar 23

Short Films on the Chesapeake: The Last Boat Out, The Runoff Dilemma, Watermen, & Sturgeon: Eggs To Die For – 6pm

Mar 24

Planeat – 7:30pm

Mar 25

We Still Live Here: As Nutayunean – 7pm

Hummingbirds: Magic in the Air – 7pm

Mar 26

I.M. Pei – Building Modern China – 2pm

Happy People: A Year in the Taiga – 3pm

Mar 27

Plan B: Mobilizing to Save Civilization – 3pm

A Murder of Crows – 1pm

Force of Nature: The David Suzuki Movie

A Guide to DC's Environmental Film Festival

Kieran Timberlake: The Loblolly House

I love movies. The only thing better than movies is a film festival full of them. In the last few years I’ve become a regular film festival attendee (see my Sundance Festival Guide).

It was with some surprise then to learn that DC has its very own film festival. A major event that is possibly the best of its kind in the world, the Environmental Film Festival.

It runs from March 15-27 and presents 150 films at 60 venues, with an expected attendance of 26,000 filmgoers.

What makes any festival interesting is the sense of discovery where you find yourself watching a movie you would never otherwise see. And, that film will most likely never again be in your local theater or even on Netflix. They are works of art that while good enough to be selected at film festivals, will never make it into the studio circuit of big budgets, posters, and red carpets.

Being in DC is uniquely special as well since the city produces a huge amount of documentaries. I once heard a friend at the DC Film Institute joke that we are not Hollywood but Docu-wood.

The subject of this year’s festival is Energy, but I noticed several other topics just as interesting: the chesapeake bay, architecture, lectures by professors, nuclear waste, short films, and adventures in cold places.

Where Whales Sing

After looking through the list of films I quickly realized that I want to see them all. With over 60 movies making the first cut as “must-sees”. My festival instincts kicked in as I reminded myself that every movie was chosen because it is worth seeing.

The wise option then is to choose my absolute favorites:

The next step is to plan out my 12 day schedule. This process helped me a bit to narrow down my schedule to just 21 movies. Leaving room for a day job and food but little else.

Here is the full list (with links). I hope a few of these tickle your fancy and you end up attending one or two. Leave a comment about your experiences or if you need someone to go with (because I sure do!).

Vincent Scully: An Art Historian Among Architects

—-

Mar 15

Wasteland and Wilderness: Lecture by Peter L. Galison – 5:30pm

The Polar Explorer – 8pm

Mar 16

Mission Blue – 7:30pm

Oil Rocks – City Above The Sea – 7pm

Mar 17

Force of Nature: The David Suzuki Movie – 7pm

Mar 18

El Muro – 6:30pm

Mar 19

Into Eternity – 1pm

Mar 20

Kieran Timberlake: Loblolly House – 1pm

Countdown To Zero – 6:30pm

Mar 21

World Water Day: Global Water and Population Films and Panels – 6pm

Vincent Scully: An Art Historian Among Architects – 7pm

Mar 22

Where Whales Sing – 10:30am

An Evening With Chris Palmer – 7pm

Mar 23

Short Films on the Chesapeake: The Last Boat Out, The Runoff Dilemma, Watermen, & Sturgeon: Eggs To Die For – 6pm

Mar 24

Planeat – 7:30pm

Mar 25

We Still Live Here: As Nutayunean – 7pm

Hummingbirds: Magic in the Air – 7pm

Mar 26

I.M. Pei – Building Modern China – 2pm

Happy People: A Year in the Taiga – 3pm

Mar 27

Plan B: Mobilizing to Save Civilization – 3pm

A Murder of Crows – 1pm

Force of Nature: The David Suzuki Movie

Why “The Social Network” Should and Will Win Best Picture

It’s no secret I liked the Facebook movie, The Social Network. Not because Aaron Sorkin grossly sensualized or flat out changed details and aspects to make the story more compelling. Nor because Trent Reznor added a wicked awesome soundtrack that moved me to bop along to the melodic beats of base in my seat. And not because Justin Timberlake made Sean Parker appear significantly more attractive and cooler than I assume he ever was, is or will be. In all honesty, the film more closely resembles Clerks than The Hurt Locker.

I liked it because I identify and empathize with the nerds, geeks and dorks of the world and I was tired of seeing this stereotype beat up and bullied (or as I stated in this TV Blogo interview, “shoved into lockers”) time and time again in film and television. It was nice to see intellect triumph over brawn or prominence of family pedigree – literally the little guy prevail.

The world has changed. The Social Network demarcates a seminal point in the history of humankind – where more and more our lives are being lived in a virtual world and as I’ve noted previously, the people who are skilled in this environment wield tremendous power and influence. Senators and heads of states are literally flocking to Silicon Valley to understand – to comprehend – the power of technology. You control the medium, you control the process, you control the message and the outcome. This is Darwinism, this is survival of the fittest.

So while The Social Network is lacking in many factually correct details, whether folks like it or not, Mark Zuckerberg is our modern day Braveheart – the Gladiator of geeks. And he’s alive. Not simply a relic of the past. He is the future. The fact that his story was made into a major Hollwood film, an industry dominated by sports stars, war heroes and action figures, is significant.

Tinseltown makes no secret it loves a good “rags to riches” underdog story, which is why (although I have no doubt Colin Firth’s portrayal of King George VI will rightfully win him Best Actor), The Social Network should and will take home Best Picture. It is the true sequel to War Games. It is our zeitgeist.

Why "The Social Network" Should and Will Win Best Picture

It’s no secret I liked the Facebook movie, The Social Network. Not because Aaron Sorkin grossly sensualized or flat out changed details and aspects to make the story more compelling. Nor because Trent Reznor added a wicked awesome soundtrack that moved me to bop along to the melodic beats of base in my seat. And not because Justin Timberlake made Sean Parker appear significantly more attractive and cooler than I assume he ever was, is or will be. In all honesty, the film more closely resembles Clerks than The Hurt Locker.

I liked it because I identify and empathize with the nerds, geeks and dorks of the world and I was tired of seeing this stereotype beat up and bullied (or as I stated in this TV Blogo interview, “shoved into lockers”) time and time again in film and television. It was nice to see intellect triumph over brawn or prominence of family pedigree – literally the little guy prevail.

The world has changed. The Social Network demarcates a seminal point in the history of humankind – where more and more our lives are being lived in a virtual world and as I’ve noted previously, the people who are skilled in this environment wield tremendous power and influence. Senators and heads of states are literally flocking to Silicon Valley to understand – to comprehend – the power of technology. You control the medium, you control the process, you control the message and the outcome. This is Darwinism, this is survival of the fittest.

So while The Social Network is lacking in many factually correct details, whether folks like it or not, Mark Zuckerberg is our modern day Braveheart – the Gladiator of geeks. And he’s alive. Not simply a relic of the past. He is the future. The fact that his story was made into a major Hollwood film, an industry dominated by sports stars, war heroes and action figures, is significant.

Tinseltown makes no secret it loves a good “rags to riches” underdog story, which is why (although I have no doubt Colin Firth’s portrayal of King George VI will rightfully win him Best Actor), The Social Network should and will take home Best Picture. It is the true sequel to War Games. It is our zeitgeist.

My Guide To The Sundance Film Festival


The first thing you need to know about Sundance is that it’s cheaper than you think. If you are like me then you imagined the event being all exclusive and haughty. On the contrary, the festival is low cost, lodging is plentiful, and the flights and car rentals are among the cheapest in America.

The only thing you will end up paying for is the skiing, but you get what you give. The slopes around Park City, Utah are top notch. As a former Winter Olympics site Park City has everything you will need.

The Sundance Film Festival

The Festival runs over two weekends with a slower tempo during the week, from January 20th-30th. Opening weekend is when the stars come out and the crowds reach their peak. By closing weekend the crowds have left and there is still a full range of events. Most people tend to favor one weekend over the other. While we have friends who favor the celebrity, “seen and be seen” vibe of opening weekend, we prefer the “down to the movies” vibe of closing weekend.

This is especially exciting for those of you movie buffs. Each screening has on hand an ensemble of cast members and crew, though it is most often the director and/or producer in attendance. After the movie “screening” is over they offer you a personal in-depth behind the scenes followed by a Q/A session. Considering the movie list this can range from topics about LGBT to terrorism to Rock n Roll and more. To me it represents an experience like no other and has forever turned me on the to idea of a movie festival.

Tickets to each show are $15. You can pre-buy or purchase the day-of. This part is probably the most confusing since it’s cold and your in a strange new town and the thought of waking up early to get a ticket is strange. Yet, that is what everybody does and it works this way because of the nature of the festival. All year Sundance accepts movies then in mid-December releases the one’s they will be showing at the festival. At this point they are still unknown, never-before-seen, pre-critic, and so on. This means that everyone has a blast guessing which ones will win Oscar nods and which ones will sit on a dusty shelf for a 1,000 years.

These guesses quickly culminate into a few sold out shows weeks before the festival and before anyone has seen the actual movie. These mostly gather around well known actor/director combos. As the festival draws nearer more clips are released, press segments done, and even a few pirated releases. Eventually culminating in the Festival where everyone, including the insiders and well-informed, are still unsure of the best movies. All are stuck buying tickets the day-of. At first I found this the most confusing but after attending the festival I found it enjoyable to get caught up in the mystery.

The thing is that all the films are personally selected to be amazing (something like 200 out of several thousand) so it’s hard to go wrong. Plus, each movie will be playing several times at several locations. Park City has movie theaters and screening locations all over (like the Library) so you won’t miss anything. I say give up on planning and just have some fun playing critic!

Park City Lodging

Finding a place to stay is the most challenging part of the trip. It’s not because places are hard to find but because there are so many options. Stay downtown and rely on the free public transportation. Choose a lodge next to a ski resort and get the benefit of easy skiing. Pick a spot outside of town next to the Whole Foods and get around by rental car.

I favor the rental car option because it makes getting from the Salt Lake City airport to Park City easy. The cost of a shuttle is about $40 and the trip is about 40 minutes. Whereas the rental car is $40/day and split amongst 3-4 people it makes for some nice, warm rides to/from everything.

My favorite spot is with All Seasons Resorts which are these new townhouse resorts built for the Winter Olympics. They have every amenity you need and some even look like a Winter Cabin. They offer a 2-for-1 deal and so for 4 nights and 6 people it ends up costing us $200/person. A slick deal for a party cabin 🙂

The Sundance.org website offers many deals too but they all boil down to the three options presented above.  Closest to downtown is most expensive, ski resorts high to medium, and our just outside of town medium to low pricing. But, did I mention the last option is very close to a Whole Foods, can you tell I obsess about food..

Flights, Transportation, Other

The only place to fly into (unless you’re loaded) is Salt Lake City airport (SLC). Flight are reasonably priced since Salt Lake is a western hub for most airlines. The drive is about 40 minutes through snow filled mountains (possibly a favorite part of the trip). Getting around Park City is relatively easy. They have free shuttles running everywhere. The only hiccups are when rain/snow get involved which makes waiting outdoors for a ride a slushy cold event.

Parking a rental car can sometimes be a pain. There are limited spaces available and they do try to discourage everyone from driving. Still I never have any problems and usually find it more convenient (as long as I carpool!). Especially, considering that the theaters are not in one place and well, it’s cold out.

Other than the movies there are salons and parties. Downtown there are talks with experts and the like. On opening weekend is an opening party and closing weekend has the awards show and the closing party. All are fun but ticketed events (sometimes hard to find). If you’re interested in these events it is best to purchase a ticket package that includes these events.

Well, that is pretty much it. The only other recommendation I have is to try and visit the actual Sundance Resort. It’s about 30 mins away from downtown and exists as a ski lodge and artist retreat. It was rescued by Robert Redford decades ago and serves as the home and inspiration for the festival. The scenery is beautiful and the creative vibe is awesome!

photos from sundance.org and allseasonsresortlodging.com